I am especially interested in how territories of subjectivity are formed, how forms of life are molded, through various musical refrains, and how this might be thought in terms of Marx’s thesis that “production is immediately consumption and consumption is immediately production” (i.e., not only the question of how to reproduce the conditions of production, but also how to reproduce the conditions of consumption… A problem that becomes pressing in a capitalist milieu when basic needs are met).
In part, I would like to show that distributed subjectivity is not something new, but is in fact the “truth” of subjectivity (in the sense that democracy is, according to Marx, the truth of all social formations). This, I think, resituates the question somewhat and helps to ameliorate some of the doom and gloom surrounding the disappearance of agency. Of course, I, no more than anyone else, do not have questions as to what is to be done. At any rate, the title of the paper is “Territories of Music: Deleuze, Guattari, and the Formation of Territories of Subjectivity”… Or something like that.
I am told that the Newcastle folk are somewhat hostile to Deleuze and Guattari, seeing them as apologists for contemporary consumer capitalism and being better friends with Lacan, Zizek, and Badiou. Needless to say, in my view Deleuze gives us the ontology required by historical materialism. Hopefully I can compelling make this case in some form or other and I am not the recipient of rotten tomatoes or eggs!