Marx anticipates Baudrillard’s critique

Principles of Kafka’s Literature from Larval Subjects

Marx argues that the State is constituted from the multitudes, not the multitude from the State. Here there are strong resonances with Deleuze’s theory of individuation and Badiou’s ontology of multiplicities. Deleuze’s theory of individuation pertains to the process by which individuals are individuated or produced, not what allows us to distinguish one substantial individual from another. Like Badiou, identity, for Deleuze, is always a product come second, an effect, a product, a result. Identities must be constituted. Similarly, for Badiou, the Same is only ever constituted through the operation of the count-as-one. As such, these two accounts of entity provide fertile ground for an ontology of historical materialism, as historical materialism rejects any idealistic thesis of ahistorical essences– viz., an essential human nature, for instance –underlying being. We also encounter one of the major problems with Luhmann’s social systems theory here. Insofar as Luhmann places individuals outside social systems, he reproduces the optical illusion whereby the State is an entity in its own right over and above those that constitute the state...

The network of production, exchange, distribution, and consumption will each produce its own specific social organizations and forms of subjectivity. For instance, production is not just the production of goods, but also requires the production of subjectivities. For instance, there is a qualitative difference between a Greek or Roman slave, a Serf, and an Industrial Laborer, such that all these forms of subjectivity must be produced or individuated. To discern this it will be necessary to analyze the network within which these forms of embodiment and affect emerge. In Grundrisse, Marx will go so far as to say that production is immediately consumption and consumption is immediately production. In this connection, he is speaking of the manner in which the body and tools are consumed in producing. However, he also alludes to how forms of art must produce their audience so that they might be “consumed”. Here, already, Marx anticipates Baudrillard’s critique in For a Critique of the Political Economy of Signs.