Friday, December 12, 2008

Intersection of aesthetics and political theory; a clear ethical imperative: to create the new

Deleuze, Guattari and the Production of the New (Continuum Studies in Continental Philosophy) (Hardcover)by Simon O'sullivan (Editor), Stephen Zepke (Editor)
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Editorial Reviews
Product Description
This is an exciting new collection of essays exploring the relevance of Deleuze and Guattari's work in contemporary aesthetics and political theory.Gilles Deleuze and Felix Guattari have arguably gone further than anyone in contemporary philosophy in affirming a philosophy of creation, one that both establishes and encourages a clear ethical imperative: to create the new.

In this remarkable undertaking, these two thinkers have created a fresh engagement of thought with the world. This important collection of essays attempts to explore and extend the creative rupture that Deleuze and Guattari produce in the "Capitalism and Schizophrenia" project.

The essays in this volume, all by leading thinkers and theorists, extend Deleuze and Guattari's project by offering creative experiments in constructing new communities - of ideas and objects, experiences and collectives - that cohere around the interaction of philosophy, the arts and the political realm. "Deleuze, Guattari and the Production of the New" produces new perspectives on Deleuze and Guattari's work by emphasising its relevance to the contemporary intersection of aesthetics and political theory, thereby exploring a pressing contemporary problem: the production of the new.

About the Author Simon O'Sullivan is Lecturer in Art History/ Visual Culture at Goldsmiths College, University of London, UK. He is the author of Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005). Stephen Zepke is an independent researcher living in Vienna, Austria. He is the author of Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (Routledge, 2005)

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Copyright, again from The Pinocchio Theory by Steven Shaviro

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