There is no such thing as a monoculture from The Immanent Frame by Justin Neuman
For Arendt, the ability to act, to introduce
something new and unexpected into the world, can only arise in a condition of
pluralism. In a famous passage at the beginning of The Human Condition,
Arendt describes the human condition as one of plurality owing “to the fact
that men, not Man, live on earth and inhabit the world…this plurality is
specifically the condition—not only the conditio
sine qua non, but the conditio per quam—of all political life.”
By linking action to freedom and freedom to plurality Arendt means to emphasize
that the capacity to introduce novelty into the world depends upon a quality of
openness antithetical to a monoculture. On a practical level, as we adopt
increasingly flexible and, as Amartya Sen calls them, “robustly plural” senses
of our own identity based on multiple, overlapping, and shifting modes of
belonging, the purely hypothetical nature of a religious monoculture becomes
increasingly apparent.
“It seems right that Hegel needs to be rethought and
made more fully applicable to our historical moment, but this rethinking need
not masquerade as a claim that Hegel really meant to speak (or indeed did
speak) other than he did. Students of Marx have done very well to admit that
Marx's thought faced certain failures and needs to be rethought and
reformulated. Students of Heidegger should do the same. We need not cover up or
deny inconsistencies or deny that we are continuing, rather than simply
explaining, the work of the thinkers we engage with.”
Thill -
February 13th, 2012 on 2:37 am - I think that Aurobindo who
proffered a complex and sophisticated developmental theory would reject the
notion that the “pre” and the “trans” levels of development are strikingly
similar.
In Aurobindo’s somewhat Hegelian logic of
development, although the achievements of previous stages are assimilated and
integrated, in varying degrees, into the subsequent higher stages, any
aberrations or deformations at the “pre” or lower stages will have to be
overcome before the transition to the “trans” or higher stages can be securely
made. Thus, in Aurobindo’s theory of development, The
latter “trans” stages or levels have specific qualitatively higher features
which clearly distinguish them from the lower, “pre” stages.
Isn’t it like saying that the work of a composer who
has mastered the basic principles of harmony in the art of musical composition
and gone beyond them will be strongly similar to the work of a beginner in
composition who is yet to master those principles of harmony?
Although I would acknowledge that the musical
freedom exhibited by a master who has assimilated and transcended the confines
of basic principles of harmony may occasionally resemble that of a person who
is yet to master those principles, it is extremely unlikely that there will be
any great and consistent similarities between the two.
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