Thompson-Schopenhauer-Goethe-Leibniz-Plato

An excerpt from Twilight of the Clockwork God: Conversations on Science & Spirituality (1999) which some might find interesting: The interviewer, John David Ebert, comments in the end-notes: Posted: 10/19/06, 1:02 pm Post subject: William Irwin Thompson on Ken Wilber and Jean Gebser

Quote: It occurs to me that Ken Wilber and William Irwin Thompson are modern incarnations of an archetypal dichotomy of intellectual temperament. Aristotle and Plato are perhaps the earliest manifestation in Western culture, but it has continued right down the line in such pairs as Newton and Leibniz, Kant and Goethe, Hegel and Schopenhauer. The Wilber type is the Systematist for whom the world is capable of reduction to a single clear architecture. There is one set of truths, eternal and unchanging, which the Systematist, whether he is Kant or Hegel, Newton or Aristotle, believes he has been uniquely privileged to discover.

Everything is assigned to its niche, like the saints and apostles in a Gothic cathedral, and one system contains all the necessary answers for any question that should arise. For Wilber, consequently, there is only one theory that is articulated over and over again in each of his books, all of which repeat the same schemas and diagrams endlessly. His work can be neatly divided in two halves, for Sex, Ecology, Spirituality marks the birth of his new Final Theory, in the light of which his earlier works are to be taken as precursors. Everything since that book contains a carbon copy of the same four-fold diagram of quadrants, as though consciousness can be mapped as neatly as the trajectory of a parabola on a Cartesian grid.

For the Thompson-Schopenhauer-Goethe-Leibniz-Plato type, the world is in flux and its truths are changing along with it. The ideas of these thinkers are never finished, always subject to revision, and constantly undergoing transformation as new truths are tested, or new theories acquired. The world is a state of perpetual Becoming and no system or body of knowledge can ever hope to be complete, capturing all that there is to know at last. No scholar has ever succeeded, for example, in capturing the fine nuances of Plato's ideas as they evolve through the course of his dialogues. Nothing but actually reading them through chronologically can replicate the experience of watching his thought ripen to its full maturity.

Plato, like Nietzsche, was not afraid of contradicting himself, for the two were alike in their manner of constantly trying out new ideas on themselves to see what the resulting points of view would look like. Something of this dichotomy is embodied, also, by Michelangelo and Leonardo da Vinci. For the former, working in the medium of stone meant the production of complete masterpieces. Michelangelo almost always finished what he started--until later years, that is--and consequently we possess only a handful of unfinished works. The Sistine Chapel constitutes a veritable System of the Christian cosmos, complete in every respect from Genesis to Apocalypse.

For Leonardo, on the other hand, the world was ever changing and so were his views. Rarely did he finish what he began. Each painting is a sort of test of an entirely provisional theory. His notebooks are unsystematic and no one has ever really managed to capture their full complexity in a synopsis. Thompson, likewise, must be read in his entirety, every book, in order to grasp the substance of his vision, which is always changing. He is unsystematic, but always innovative, incorporating fresh insights with each new volume. Every book is a unique experience. For him, consequently, Wilber personifies that which Thompson most dreads: the Final Theory Engraved in Stone.